The Neukölln Confessional
January 11th, 2012
Berlin has a new showcase where secrets, music and comedy shall remain between you, me, and God.
The Neukölln Confessional
January 24th @ 21h
Myxa Café Berlin, 4€
News
Absinth Aperitif Soiree
January 11th, 2012
“Developed by the award-winning Per Aspera Productions, Exposure Berlin is based on The Breasts of Tireasias by Appollinaire–the work for which the word ‘surrealist’ was first invented. Exposure Berlin is being performed in English, German and French, and it features new music, surrealist animation, a live-feed camera, a circus, and more! Developed specifically for the Delphi Cinema, channelling the spirit of the Golden 20′s in Berlin, we invite you to come enjoy the preview of this new multi-media show.”
Plus a silent film screening, swing dancing, and more! For the full list of entertainment, click here.
Absinth Aperitif Soiree
Gustav-Adolf-Straße 2
January 20th & 21st
18:00-22:00
Tickets 8€ /10€
The Lost: Film Performance
January 4th, 2012
Shut Up Little Man
December 6th, 2011
I have an upcoming performance of a piece that my friend Tim Whelan and I composed together. It’s probably unlike anything you’ve ever seen before: we’ve taken excerpts from Verdi and Handel and mashed them into a 7-minute whiplash of nonsense about old drunken men. And, most of the re-written lyrics are profanity. It’s like taking a shit on classical music. Now, doesn’t that sound like fun?
Shut Up Little Man
International Comedy Film Festival
Filmtheater am Friedrichshain
8.Dec @ 20:15 & 9.Dec @ 22:30
The Man in the Suit
August 23rd, 2011
The Man in the Suit is now available online! This short was shot on Long Island last winter, right before I left New York for Berlin. I thoroughly enjoyed working with all of these wonderful people on set, and I hope you’re entertained by the fruits of our labour. (Mostly their labour.)
“Charles is a mysterious drifter who collects people’s life experiences by video interviewing them. Mia, an artist, breaks into homes to steal family portraits and replace them with her own bizarre Photo-shopped creations. Charles and Mia cross paths and their interactions, although disconnected, become strangely intimate.”
with a little help from my friends
August 11th, 2011
I would like to take this opportunity to thank Andy Smallman, Puget Sound Community School, and the Kind Living Blog for supporting Strangers in a Song, my upcoming project at Mica Moca. Thanks to crowdfunding sites like WeFund and family and friends–friends like Andy, my great uncle Carl, my ex-boyfriend’s parents, my father’s attorney, and any number of other seemingly random yet significant persons in my life–WE’RE 144% FUNDED! Thank you everyone for donating! And I look forward to sharing the documentary with you all. Here’s the shout out from Kind Living.
Haus der Kulturen der Welt
March 30th, 2011
When relocating to Berlin, I didn’t expect to find such an interesting project so quickly. But here I am, SHAZAM! breaking in on the experimental film scene just like that.
I’m singing in a film project by Reynold Reynolds at the Haus der Kulturen der Welt. The footage will likely not be available for another couple of years, as it is an extensive and intricate project funded almost entirely by grants, residencies and the such. But in the meantime, you can catch the final public performance this Friday (01 April 2011) at Haus der Kulturen der Welt.
Doors are always open, show starts at 18:00.
Operatically Speaking: a cabaret
October 4th, 2010
Featuring Arias, Duets and Ensembles from the worlds of Opera, Operetta, and Broadway with the music of Beethoven, Bernstein, Bizet, Copland, Gordon, Handel, Lalo, Lehár, Monteverdi, Rimsky-Korsakov and Sondheim.
Highlights from NYFringe 2010
August 25th, 2010
“The Demimonde Theatre & Opera Company are to be commended for bringing a new production of The Maid of Orleans to New York audiences via Fringe… Ethereal soprano Gudrun Buhler digs into the title role, speaking with appropriately unearthly cadences and singing beautifully. Dylan Bandy gives Lionel, the British lord, lovely voicing as well, bearing a good deal of the show’s musical weight…and the Bandy/Buhler duet of ‘Ah, crudel, d’onor raggioni’ approaches the sublime.”
– Jon Sobel @ Theater Review
